Photo, taken by Susan Thomsen, of patron art created in February 2018 at The Westport (Connecticut) Library
It’s been nearly three months since my previous update
about Dazzle Ships: World War I and the Art of Confusion
(written by me, illustrated by Victo Ngai, and published last September by Millbrook Press). What’s new?
The Association for Library Service to Children (ALSC) division of the American Library Association (ALA) has included Dazzle Ships on its 2018 Notable Children’s Books list.
The 2018 list of Notable Social Studies Trade Books for Young People, a joint effort by the National Council for the Social Studies (NCSS) and the Children’s Book Council (CBC), also includes Dazzle Ships.
CCBC Choices 2018, the Cooperative Children’s Book Center’s annual best-of-the-year list, includes Dazzle Ships as well.
Elizabeth Dulemba interviewed me about the book.
Dazzle Ships is the runner-up for the 2018 Denton Record-Chronicle Award for Best Children’s Picture Book, coordinated by the Texas Institute of Letters. (Be sure to check out the winner, Xelena González and Adriana M. Garcia’s All Around Us, which was also named a 2018 Illustrator Honor Book by the Pura Belpré Award committee.)
You might also enjoy…
Millbrook Press art director Danielle Carnito on Page Counts Demystified (or, Why Publishing People Need to Know Their Multiplication Tables):
After printing, the large paper sheets are folded down to the size of the individual pages. With every fold of the press sheet, the amount of pages doubles. One of the most common amount of pages in a signature is 16—as DAZZLE SHIPS was printed—so there are 8 pages on the front of a press sheet and 8 on the back. 8 is also used often, so there are 4 pages on the front and 4 on the back.
The Calling Caldecott post on Dazzle Ships:
Recurring graphic elements weave throughout the pages, from the gentle curves of the ocean waves to the zigzag dazzle patterns. Ngai’s deft use of scale allows the people — such as, painters, artists, and naval officers — to share the same spreads with the massive battleships. Particularly stunning is the spread of an awestruck King George V; he is staring, mouth agape, at a small dazzled model. The smoothness of the monarch’s face and uniform contrast sharply with the geometric edges of the model and its pattern.
And the review of Dazzle Ships in the Bulletin of the Center for Children’s Books:
“So just how well did dazzle work? Nobody really knows,” Barton admits. There’s no denying, however, that dazzle boosted morale and makes a heckuva great story. Barton’s lively text is matched by Ngai’s engrossing artwork, which employs dazzle techniques throughout [her] inventive spreads. Contrasting colors, unexpected curves, eccentrically layered design elements, and cleverly deployed chiaroscuro walk the line between instructive playfulness and an art deco fever dream.
I love hearing reports of Dazzle Ships (and dazzle ships) sightings out in the wild and on the web, so if you see something you think I might be interested in, there’s a very good chance that you’re right. Please let me know in the comments section, won’t you?